International Research Journal of Commerce , Arts and Science

 ( Online- ISSN 2319 - 9202 )     New DOI : 10.32804/CASIRJ

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TS ELIOT : THE WASTE LAND - THE BURIAL OF THE DEAD

    1 Author(s):  MANJUNATHA M

Vol -  3, Issue- 1 ,         Page(s) : 132 - 134  (2012 ) DOI : https://doi.org/10.32804/CASIRJ

Abstract

The first part dealt with the sterility of the land and love where love has lost the power to redeem and invigorate the times. This part builds on the same theme but is not as extensive as the first part. From what I could grasp, there are two broad stanzas with different context and narrator all reinforcing the theme of lust, breakdown and drudgery in marriage . The first stanza opens with opulent setting where a wealthy lady sits on a high chair in a room stocked with all the paraphernalia of the rich society. The room is filled with big paintings on the walls, perfumes that pervades the room, ivory vials of exotic scents that fill the satin cases. The lady herself is covered with glitter from all the jewels she is wearing. The setting though luxuriant looks artificial and of decay and decadence. The spirits are all confused and troubled by the fresh air coming from the open window (metaphor on state of disarray inside due to the incoming fear of the unknown). The whiff of air flatten the candles that burn and smoke fills the grand room. The setting shows the lives of the high society who though are free from the grinding of the daily struggle still face the emotional and sexual collapse due to self absorption. The painting of Philomela, a character out of Ovid’s Metamorphoses is hung on the wall. Philomela is raped by her brother-in-law Tereus, who then cuts her tongue out to keep her quiet.

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