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SOCIO-ECONOMIC DYNAMICS IN THIRD THEATRE: BADAL SIRCAR’S PROCESSION & BHOMA
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Author(s):
DR. PAYEL MUKHERJEE
Vol - 13, Issue- 4 ,
Page(s) : 179 - 184
(2022 )
DOI : https://doi.org/10.32804/CASIRJ
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Abstract
Linking this dichotomy to India’s colonial past, Badal Sircar (1925-2011), the notable propagator of Third Theatre Movement in Bengal, emphasized that cities like Kolkata, Mumbai, Madras, and New Delhi were primarily established to fulfil colonial demands.
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