1, Kiran Kumar Thaplyal in his book “Jaina Painting” , Wiley Eastern Limited, New Delhi 2001
2. Detailed information regarding the Ganguly, Anil Baran, “Fine-arts in ancient India” , New Delhi, 1979,
3. Misra, R.N “Ancient Artist and Art Activity” , Indian Institute of Advanced study, Simla,1975.
4.See Manikant Shah, Sreni(Guilds): “A Unique Social Innovation of Ancient India” Manikant Shah & D.P. Agrawal, February 2003.
5.Misra, R.N “Ancient Artist and Art Activity” , Indian Institute of Advanced study, Shimla, 1975.
6. The illustrated and illuminated 15 Pal, Pratapaditva, ’’Court Paintings of India”. 1935- Edition 1st ed. Pub. New York : Navin Kumar, 1983).
7. Kesser, Urmi, "Social content in Modern Indian Painting”. Unpublished Ph.D theses, PU, 1982. 22 See Mishra , T.N, “Westernization of Indian Art” , Delhi. 23 See Archer, “W.G India And British Portraiture 1770-1825”.Oxford University Press, 1979
8.Stuart B. Schwartz, “Implicit Understandings: Observing. Reporting, and Reflecting on the Encounters Between Europeans and Other Peoples in the Early Modern Era” , Edition: illustrated, Published by Cambridge University Press, 1994,
9 Minissale, Gregory, The Synthesis of European and Mughal Art in the Emperor Akbar’s Khamsa of Nizami.